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Elementos de la luz de Rembrandt en el grabado de Goya / Coca Garrido

Edición digital a partir de Academia : Boletín de la Real Academia de Bellas Artes de San Fernando, núm. 84 (1997), pp. 471-494. Edición digital de la Biblioteca Virtual Miguel de Cervantes por cortes...

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Related authors Rembrandt Harmenszoon van Rijn, 1606-1669

Contemporary authors to Rembrandt Harmenszoon van Rijn, 1606-1669

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Name:
Rembrandt Harmenszoon van Rijn
Date of birth:
1606
Date of death:
1669
Uniform Resource Locator:
http://data.cervantesvirtual.com/person/11959
VIAF:
64013650
ISNI:
0000000121363802

Rembrandt Harmenszoon van Rijn (/ˈrɛmbrænt, -brɑːnt/; Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)soːn vɑn ˈrɛin] ; 15 July 1606 – 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art and the most important in Dutch history. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age when Dutch Golden Age painting, although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative, and gave rise to important new genres in painting. Having achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters. Rembrandt's greatest creative triumphs are exemplified most notably in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity. In his paintings and prints he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam's Jewish population. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization."

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